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Metropolitan Opera Premiere, New Production
The Gambler
Metropolitan Opera House, Mon, March 19, 2001
Debut : Olga Guryakova, Sergei Aleksashkin, Olga Savova, Yuri Laptev, Emmanuel Di Villarosa, Franco Pomponi, Robert Brazil, Temur Chkheidze, George Tsypin, Georgi Alexi-Meskhishvili
The Gambler (1)
Sergei Prokofiev | Sergei Prokofiev
- Alexei
- Vladimir Galouzine
- Polina
- Olga Guryakova [Debut]
- General
- Sergei Aleksashkin [Debut]
- Marquis
- Nikolai Gassiev
- Grammy
- Elena Obraztsova
- Blanche
- Olga Savova [Debut]
- Mr. Astley
- John Fanning
- Prince Nilsky
- Richard Fracker
- Baron W?rmerhelm
- Alexander Anisimov
- Baroness W?rmerhelm
- Inga Rappaport
- Potapich
- Yuri Laptev [Debut]
- A Director
- Vaclovas Daunoras
- Croupiers
- Ronald Naldi
- Croupiers
- Eduardo Valdes
- Fat Englishman
- LeRoy Lehr
- Tall Englishman
- Richard Vernon
- Garish Lady
- Andrea Trebnik
- Pale Lady
- Yvonne Gonzales Redman
- Lady Comme ?i, Comme ?a
- Reveka Evangelia Mavrovitis
- Venerable Lady
- Wendy Hoffman
- Suspicious Old Lady
- Diane Elias
- Reckless Gambler
- Vladimir Grishko
- Sickly Gambler
- Bernard Fitch
- Hunchback Gambler
- Anthony Laciura
- Unlucky Gambler
- Kamel Boutros
- Old Gambler
- Philip Cokorinos
- Gambler
- Emmanuel Di Villarosa [Debut]
- Gambler
- Iosef Shalamayev
- Gambler
- Franco Pomponi [Debut]
- Gambler
- John Fiorito
- Gambler
- Alfred Walker
- Gambler
- Patrick Carfizzi
- Feodor
- Andrew Nies
- Other Feodor
- Robert Brazil [Debut]
- Marfa
- Carole Goldstein
- Conductor
- Valery Gergiev
- Production
- Temur Chkheidze [Debut]
- Set Designer
- George Tsypin [Debut]
- Costume Designer
- Georgi Alexi-Meskhishvili [Debut]
- Lighting Designer
- James F. Ingalls
The Gambler received six performances this season.
Sergei Aleksashkin was billed as Sergei Alexashkin until 2/9/07.
FUNDING:
Production a gift of The Fan Fox and Leslie R. Samuels Foundation, Inc.
Review 1:
Review of Martin Bernheimer in the June 2001 issue of Opera
Gambling on Prokofiev
The programme at the Metropolitan Opera on March 19 called the esoteric challenge on display "The Gambler." For most impractical purposes, however, this was "Igrok."
In this, its first encounter with Sergey Prokofiev, the Met took advantage of its resident hyper-overachiever, Valery Gergiev. The semi-stylized production - directed by Temur Chkheidze and designed by George Tsypin, with costumes by Georgy Alexy-Meshkishvily - suggested a variation on the version assembled and conducted by the maestro five years ago in St Petersburg, and also in Milan and Paris. Apart from a few versatile Americans allotted minor roles, the Russian cast proved almost identical to the one on Gergiev's recording. For better or worse, this was a Kirov import.
It turned out to be admirable on its own distinct and distant terms. Still, an ingrate might question the wisdom of performing this obscure opus in New York with Russians singing Russian. "Igrok" doesn't exactly abound in pretty tunes. The composer valued other preoccupations here: clever declamation, sharp conversational exchange, subtle orchestral comment, imaginative rhythmic and harmonic punctuation of a complex narrative. The words are the thing, and the expressive key is irony. Unfortunately, New York audiences do not recognize the Dostoyevskian source and cannot negotiate the dramatic curves without help. The Met offered a communicative crutch with translations flashed on tiny screens in front of every seat. The system functions well for works with simple plots. In this instance, however, the text demands minute attention. A conscientious patron was thus forced to read first, to watch and listen second. The imbalance might have been avoided, of course, if the management had chosen to perform Prokofiev in English.
Gergiev conducted with crisp bravado and a welcome concern for momentum. Chkheidze's staging scheme focused the action, and inaction, with cinematic clarity, nicely abetted by James F. Ingalls's fluid lighting design. Tsypin's rather spare sets, dominated by garish roulette motifs, made canny use of abstract decoration and structural symbolism. The enlightened ensemble was dominated by Vladimir Galuzin, overpowering as the protagonist obsessed with easy money and difficult romance. He nearly made the arduous challenge seem easy, sustaining both poise and pathos as he traced Alexey's agonizing progress from desperation to madness. Olga Guriakova emerged wonderfully earthy yet radiant as Paulina, his elusive love. Sergey Alexashkin bumbled knowingly as the greedy General. Olga Savova was suavely seductive as Mme. Blanche, and Nikolay Gassiev was incisively pompous as the manipulative Marquis. Elena Obraztsova returned as the old Bahulenka, her
mezzo-soprano now worn, her persona still vital. The accompanying Americans, led by John Fanning as a stuffy Englishman, held their own.
Search by season: 2000-01
Search by title: The Gambler,
Met careers
- Valery Gergiev [Conductor]
- Vladimir Galouzine [Alexei]
- Olga Guryakova [Polina]
- Sergei Aleksashkin [General]
- Nikolai Gassiev [Marquis]
- Elena Obraztsova [Grammy]
- Olga Savova [Blanche]
- John Fanning [Mr. Astley]
- Richard Fracker [Prince Nilsky]
- Alexander Anisimov [Baron W?rmerhelm]
- Inga Rappaport [Baroness W?rmerhelm]
- Yuri Laptev [Potapich]
- Vaclovas Daunoras [A Director]
- Ronald Naldi [Croupiers]
- Eduardo Valdes [Croupiers]
- LeRoy Lehr [Fat Englishman]
- Richard Vernon [Tall Englishman]
- Andrea Trebnik [Garish Lady]
- Yvonne Gonzales Redman [Pale Lady]
- Reveka Evangelia Mavrovitis [Lady Comme ?i, Comme ?a]
- Wendy Hoffman [Venerable Lady]
- Diane Elias [Suspicious Old Lady]
- Vladimir Grishko [Reckless Gambler]
- Bernard Fitch [Sickly Gambler]
- Anthony Laciura [Hunchback Gambler]
- Kamel Boutros [Unlucky Gambler]
- Philip Cokorinos [Old Gambler]
- Emmanuel Di Villarosa [Gambler]
- Iosef Shalamayev [Gambler]
- Franco Pomponi [Gambler]
- John Fiorito [Gambler]
- Alfred Walker [Gambler]
- Patrick Carfizzi [Gambler]
- Andrew Nies [Feodor]
- Robert Brazil [Other Feodor]
- Carole Goldstein [Marfa]
- Temur Chkheidze [Production]
- George Tsypin [Set Designer]
- Georgi Alexi-Meskhishvili [Costume Designer]
- James F. Ingalls [Lighting Designer]