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Madama Butterfly
Metropolitan Opera House, Sat, October 18, 1986 Matinee
Debut : Yoko Watanabe
Madama Butterfly (640)
Giacomo Puccini | Luigi Illica/ Giuseppe Giacosa
- Cio-Cio-San
- Yoko Watanabe [Debut]
- Pinkerton
- Vasile Moldoveanu
- Suzuki
- Claudia Catania
- Sharpless
- Leo Nucci
- Goro
- Charles Anthony
- Bonze
- Morley Meredith
- Yamadori
- John Darrenkamp
- Dolore
- Alexander Myers
- Kate Pinkerton
- Louise Wohlafka
- Commissioner
- Richard Vernon
- Registrar
- Dennis Steff
- Conductor
- Nello Santi
Review 1:
Review of Leighton Kerner in the Village Voice
?Butterfly? has been rethought. Scotto, who used to be one of the finest exponents of the title role, not only sings it this season, but has made her Met directorial debut by restaging Yoshio Aoyama's classic 1958 production. I haven't yet heard her this year, but did hear Yoko Watanabe's introduction to New York as Puccini's heroine. A slight tremolo threatened to throw her silvery sound off the track, but hers was still the most beautifully sung Cio-Cio-San around here since the prime of Scotto. Except for Charles Anthony's unexpectedly rejuvenated Goro and Morley Meredith's sonorous Bonze, the rest of the cast worked in dull routine. Scotto's new staging, I must add, keeps close to the details most productions must include to make sense. And her idea to have CioCio-San change, for her suicide, into a white robe, and unloosen her black hair as if for a kabuki catastrophe, added grandeur to an opera often starved for it. But ?Butterfly,? contrary to the Times, is never starved for anti-American political comment, and Scotto's staging, to its credit, realizes that.
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Met careers
- Nello Santi [Conductor]
- Yoko Watanabe [Cio-Cio-San]
- Vasile Moldoveanu [Pinkerton]
- Claudia Catania [Suzuki]
- Leo Nucci [Sharpless]
- Charles Anthony [Goro]
- Morley Meredith [Bonze]
- John Darrenkamp [Yamadori]
- Alexander Myers [Dolore]
- Louise Wohlafka [Kate Pinkerton]
- Richard Vernon [Commissioner]
- Dennis Steff [Registrar]