[Met Performance] CID:256190



Luisa Miller
Metropolitan Opera House, Sat, January 13, 1979




Luisa Miller (39)
Giuseppe Verdi | Salvadore Cammarano
Luisa
Renata Scotto

Rodolfo
Pl?cido Domingo

Miller
Sherrill Milnes

Count Walter
Bonaldo Giaiotti

Wurm
James Morris

Federica
Jean Kraft

Laura
Ariel Bybee

Peasant
Dale Caldwell


Conductor
James Levine







Review 1:

Review of Robert Jacobson in Opera News

On January 13 a nearly all-new cast populated Luisa Miller's Tyrolean village in preparation for the January 20 telecast, and a starry array it was, again intensely led by James Levine. One felt that by later performances all would find complete ease in their assignments, especially Renata Scotto, singing her first U.S. Luisa. She has everything for the role: voice, artistry, temperament. She kept her soprano light and flexible for the [beginning] music, later mustering the dramatic qualities needed. While her forte high notes now have a frayed, harsh, even bloodcurdling quality, the expressiveness of her work, dramatic insight and true comprehension of melodrama tended to carry her through. This Luisa could turn into a true firebrand, as in her compelling "Tu puniscimi, o Signore." Her scaling down of voice had wrenching pathos, but certain mannered eccentricities in performing diminished her real intentions in creating sympathy for this simple pawn of a peasant girl.

As Miller, Sherrill Milnes sailed forth in bold, brilliant voice, delivering his Act I aria and cabaletta with massive, burnished sound. Placido Domingo's Rodolfo was one of his best recent efforts, filled with golden sound and lyrical, but generous in the ardency of his phrasing, becoming effortful only on the very top. Bonaldo Giaiotti's warm-timbred bass proved welcome for Count Walter, providing fine contrast with the cleaner, younger American sound of James Morris as Wurm, and Jean Kraft lent strong personality to Federica, though encountering vocal uncertainties.



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