[Met Performance] CID:186940



Tannh?user
Metropolitan Opera House, Wed, January 25, 1961

Debut : Eberhard W?chter




Tannh?user (384)
Richard Wagner | Richard Wagner
Tannh?user
Hans Hopf

Elisabeth
Birgit Nilsson

Wolfram
Eberhard W?chter [Debut]

Venus
Margaret Harshaw

Hermann
William Wilderman

Walther
Robert Nagy

Heinrich
Paul Franke

Biterolf
Clifford Harvuot

Reinmar
Norman Scott

Shepherd
Teresa Stratas

Page
Nancy Reep

Page
Ada Brysac

Page
Ethel Greene

Page
Pamela Munson

Dance
Pina Bausch

Dance
Audrey Keane

Dance
Carole Kroon


Conductor
Ignace Strasfogel







Review 1:

Review of Robert Sabin in the March 1961 issue of Musical America

This performance was memorable not only for the debut of Mr. W?chter but for the first Metropolitan Elisabeth of Miss Nilsson, who was appearing for the first time this season. Miss Harshaw was also heard for the first time in the role of Venus and Mr. Strasfogel conducted the opera for the first time at the Metropolitan, taking over from Georg Solti.

Having heard Mr. W?chter at Bayreuth as Amfortas in "Parsifal," as Kothner in "Die Meistersinger," and as the Heerrufer in "Lohengrin" (in all of which roles he was superb) I knew that he would be a distinguished Wolfram. And so he proved to be. His handsome appearance, his impeccable diction, his eloquent and finished singing made a profound impression. He is not one of the operatic Bulls of Bashan. His voice does not make the rafters tremble or the standees scream with excitement. But it is ample for all artistic needs and he uses it with the utmost intelligence and expressiveness. Would that we had more of his kind!

Miss Nilsson has never sung more beautifully. Happy is the opera house that can boast three such Elisabeths as Leonie Rysanek, Victoria de los Angeles and Birgit Nilsson! Not only in the grander phrases but in the subtler and more lyrical passages Miss Nilsson's voice had a roundness, a silvery glow and a marvelous smoothness reminiscent of the golden era of Flagstad. Dramatically, too, she revealed a thorough understanding of the character. Her mounting pain and horror in the scene in the Wartburg showed how carefully she had studied Wagner's text.

Miss Harshaw was hopelessly miscast as Venus. She got over the notes satisfactorily enough, but there was not a trace of the impassioned goddess and voluptuary of Wagner's imagination.

Mr. Wildermann, on the other hand, was a convincing Landgrave, dignified of bearing and eloquent of voice. Mr. Strasfogel naturally did not attempt to impose his own profile upon the score but managed to keep much of the mobility and immediacy of Mr. Solti's conception.<



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