[Met Tour] CID:156950



Die Zauberfl?te
Cyrus Northrop Memorial Auditorium, Minneapolis, Minnesota, Sat, May 5, 1951


In English



Die Zauberfl?te (120)
Wolfgang Amadeus Mozart | Emanuel Schikaneder
Pamina
Eleanor Steber

Tamino
Richard Tucker

Queen of the Night
Roberta Peters

Sarastro
Jerome Hines

Papageno
John Brownlee

Papagena
Lois Hunt

Monostatos
Leslie Chabay

Speaker
Nicola Moscona

First Lady
Lucine Amara

Second Lady
Thelma Votipka

Third Lady
Martha Lipton

Genie
Genevieve Warner

Genie
Paula Lenchner

Genie
Hertha Glaz

Priest/Guard
Thomas Hayward

Priest
Clifford Harvuot

Guard
Lawrence Davidson


Conductor
Fritz Stiedry







Review 1:

Review of Noman Houk in the Minneapolis Tribune
?Magic Flute? Presented by Met Troupe
Mozart?s ?The Magic Flute? was given in Northrop auditorium Saturday night, third event of the Metropolitan Opera Co. series here. One had to search hard to find a vacant seat here and there, and the house was in a festive mood.
This fantasy on the powers of love, virtue and courage over the powers of darkness calls for a lot of cooperation in make-believe. It?s the sort of cooperation every audience is happy to indulge in for the rewarding succession of some of Mozart?s loveliest melodies, plus some understanding touches of humanity not quite at its noblest, these last given with humorous effect by the bird man, Papageno.
John Brownlee was last night?s Papageno, a good characterization with many a caper. Richard Tucker sing Tamino, warming up, after his [first] scene, to continued fine singing.
Jerome Hines sang the two great arias of Sarastro with rich and noble dignity. Eleanor Steber in the role of Pamina, whom Tamino eventually rescues, was in beautiful voice with every note a pleasure. One of the newcomers to the company this season, Robert Peters, sang as Queen of the Night and she gave her two difficult arias with delightful ease, with notes sparkling star-high to match that fascinating twinkling curtain that always backgrounds the Queen of the Night.
Others in the cast were Nicola Moscona as high priest, Thomas Hayward and Clifford Harvout as two priests, Leslie Chabay as the threatening Monostatos.
The opera was sung in English. In fact, two of the five operas we hear from the Met this season are in our native tongue, a trend I favor. It has to be admitted, however, that considerably less of the English came across the footlights distinctly than was the case with Friday?s ?Die Fledermaus.?
And one can hope that some future resetting of this perennial will have scenery that does not require so much waiting for changes between the many scenes. But the way it is, is far better than not having it at all. In fact it was a real delight and the audience made that plain.


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