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Rigoletto
Civic Opera House, Chicago, Illinois, Fri, May 12, 1950
Rigoletto (304)
Giuseppe Verdi | Francesco Maria Piave
- Rigoletto
- Leonard Warren
- Gilda
- Patrice Munsel
- Duke of Mantua
- Jussi Bj?rling
- Maddalena
- Jean Madeira
- Sparafucile
- Jerome Hines
- Monterone
- Kenneth Schon
- Borsa
- Alessio De Paolis
- Marullo
- George Cehanovsky
- Count Ceprano
- John Baker
- Countess Ceprano
- Inge Manski [Last performance]
- Giovanna
- Thelma Altman
- Conductor
- Jonel Perlea [Last performance]
Review 1:
William Leonard in the Journal of Commerce
Leonard Warren Dominates Metropolitan Opera “Rigoletto”
The Metropolitan Opera’s “Rigoletto” belongs apparently to the man in the title role. Neither the Gilda nor the Duke of Friday’s production at the Opera House was in a class to be compared with Leonard Warren’s tragic jester, and the somewhat routine presentation was dominated from the start to finish by the big baritone who finds in this verdant melodrama one of his finest characterizations. Warren can’t make himself look like much of a hunchback, but in everything else he comes close to being a definitive Rigoletto, for not only vocalizes a grand scale and with consistent excellence, but somehow manages to make touching the plight of this incredible man of villainy, duplicity and father love.
Patrice Munsel, who was forced through illness to miss singing the Met’s last Chicago “Rigoletto,” several years ago, was a Gilda more pleasing to the eye than the ear. Her vocalism has gained in skill in the last few seasons, but her resources haven’t the fresh sheen they possessed in the mid-40’s, a once promising soprano apparently having been overworked too early in her career. She is more accomplished in ensemble and her love duets with Jussi Bjoerling were beautifully balanced though they lacked volume or breadth of tone. As for her “Caro nome,” the customary E simply was not there.
Bjoerling, as the love ‘em and leave ‘em Duke, sounded a bit tired, too, but put bravura into his singing and dash into his histrionism. Neither his nor Miss Munsel’s work was exceptionally weak, but neither of the romantic roles held its own for moment with Warren’s Rigoletto.
Jonel Perlea, worthy young conductor who has shown Chicago some highly intelligent music making this week, directed an accompaniment that was disciplined without losing its sensitivity.
Search by season: 1949-50
Search by title: Rigoletto,
Met careers
- Jonel Perlea [Conductor]
- Leonard Warren [Rigoletto]
- Patrice Munsel [Gilda]
- Jussi Bj?rling [Duke of Mantua]
- Jean Madeira [Maddalena]
- Jerome Hines [Sparafucile]
- Kenneth Schon [Monterone]
- Alessio De Paolis [Borsa]
- George Cehanovsky [Marullo]
- John Baker [Count Ceprano]
- Inge Manski [Countess Ceprano]
- Thelma Altman [Giovanna]