[Met Performance] CID:153020



Tosca
Opera Pageant
Metropolitan Opera House, Tue, February 28, 1950




Tosca (290)
Giacomo Puccini | Luigi Illica/Giuseppe Giacosa
Tosca
Ljuba Welitsch

Cavaradossi
Ferruccio Tagliavini

Scarpia
Lawrence Tibbett

Sacristan
Melchiorre Luise [Last performance]

Spoletta
Alessio De Paolis

Angelotti
Hugh Thompson

Sciarrone
George Cehanovsky

Shepherd
Thelma Altman

Jailer
John Baker


Conductor
Giuseppe Antonicelli


Opera Pageant






"Commemorating some of the historic productions of Edward Johnson's regime, his colleagues of the Company past and present will appear in the costumes of familiar roles. The regretted absence of certain artists is due to their out-of-town commitments."


Master of Ceremonies
John Brownlee

Conductor
Wilfred Pelletier


UN BALLO IN MASCHERA
Jan Peerce, Leonard Warren, Lorenzo Alvary, Lawrence Davidson, Chorus and Ballet


LA TRAVIATA
Lucrezia Bori, Thelma Votipka, Eugene Conley, Giuseppe De Luca, George Cehanovsky


OTELLO
Florence Quartararo, Martha Lipton, Giovanni Martinelli, Lawrence Tibbett, Leslie Chabay


FAUST
Nadine Conner, Inge Manski, Raoul Jobin, Robert Merrill, Nicola Moscona


DER ROSENKAVALIER
Jarmila Novotna, Eleanor Steber, Erna Berger, Emanuel List


MANON LESCAUT
Licia Albanese, Richard Tucker, Giuseppe Valdengo, Louis D'Angelo


TOSCA
Ljuba Welitsch, Thelma Altman, Ferruccio Tagliavini, Melchiorre Luise, John Baker


PETER GRIMES
Polyna Stoska, Paula Lenchner, Maxine Stellman, Jean Madeira, Frederick Jagel, Hugh Thompson


LOHENGRIN
Blanche Thebom, Set Svanholm, Osie Hawkins, and Pages


LE NOZZE DI FIGARO
Lois Hunt, Anne Bollinger, Irene Jessner, Italo Tajo, Gerhard Pechner


DON GIOVANNI
Rose Bampton, Regina Resnik, Patrice Munsel, Paul Sch?ffler, Salvatore Baccaloni


DIE MEISTERSINGER VON N?RNBERG
Astrid Varnay, Margaret Harshaw, Kurt Baum, Karl Laufk?tter, Friedrich Schorr, Dezs? Ernster,Mack Harrell, Paul Franke, Clifford Harvuot, Philip Kinsman

Presentation:
Lucrezia Bori
Edward Johnson

Entrance of Metropolitan Mastersingers, Musicians, Stage Directors, Administration, and Staff Executives at Liberty on this Occasion:


Kurt Adler, Reginald Allen, Aida Alvarez, Giuseppe Antonicelli, Ernesto Barbini, Karin Branzell, Lucielle Browning, Jacob Bucheter, Julius Burger, Fritz Busch, Margaret Carson, Renato Cellini, Otello Ceroni, Jennie Cervini, Pietro Cimara, Emil Cooper, Anthony Crispano, Margaret Curtis, Emery Darcy, Pasquale De Angelis, Desire Defrere, Antonio Dell'Orefice, Cloe Elmo, Felix Eyle, Henry A. Fischer, Peter Paul Fuchs, Alexander Gavrilov, Herbert Graf, Denis Harbour, Kathleen Harding, Edward Hauch, Thomas Hayward, Thomas Hillary, Frank Kilkenny, Albert A. Kirch, Peter Klein, Felix Knight, Tibor Kozma, Marjorie Lawrence, Earle R. Lewis, Max Lorenz, Louis Melan?on, John Mundy, Joseph Novak, Antoine Oberding, Frank Paola, Jeanne Palmer, Jonel Perlea, Irra Petina, Lillian Raymondi, Fritz Reiner, Gertrude Ribla, Helen Rintelen, Francis Robinson, Boris Romanoff, Leon Rothier, Max Rudolf, Kenneth Schon, Harry G. Schumer, Adolf Senz, Fritz Stiedry, Frank St. Leger, Alexander Sved, Walter Taussig, Reginald S. Tonry, Frank Valentino, Leon Varkas, Lubomir Vichegonov, Luigi Villa, M.A. Villa, Ramon Vinay, Andrea Vivante, Frank Warren, Robert Weede, Thurber Wilkins, Dino Yannopoulos


[Following the performance of Tosca sixty singers paraded onstage costumed as favorite characters from a dozen productions of the Johnson era, 1935-1950. At the end of the procession, nearly eighty additional past and present members of the company, including those noted above, gathered onstage to pay homage to the general manager. Bori then led Johnson from the wings to accept gifts from the board of directors, various colleagues and labor unions. In a short farewell speech, Johnson, whose regime had ridden out the Great Depression and World War II declared that he was "very happy in spite of everything."]

Review 1:

Review of Quaintance Eaton in Musical America

Puccini's "Tosca," given for the sixth time this season, served as a curtain raiser to the pageant which marked Edward Johnson's retirement, and aroused intense interest in the gala audience chiefly because Ljuba Welitsch sang her first Floria Tosca here. Another source of comment was the unexpected presence of Lawrence Tibbett in the cast, as a relief for Paul Schoeffler, who was not available because he had substituted as Hans Sachs for Herbert Janssen in" Die Meistersinger" the previous evening. With Ferruccio Tagliavini as Mario, Tosca seemed set for an eventful run-through. Eventful it proved, although not entirely in the felicitous manner expected. There was more unsolicited laughter from the audience than is consistent with the performance of a tragedy.

All personal contributions aside for the moment, it seemed more than likely that the opera had received little if any rehearsal, with or without Mr. Tibbett, thus sharing the fate of many presentations in the regime whose closing it signalized. This may have partly accounted for the inept movement about the stage, the seeming failure of any one principal to know where another was going to be at any given moment, and also for the unrestrained actions of the principals. In the struggle between Tosca and Scarpia in the second act, it seemed that no holds were barred.

Aside from some wonderful vocalization by Miss Welitsch , the prevailing spirit remained anarchistic. And even that self-possessed lady, stimulated by the emotion of the moment, took liberties with the music in 'Vissi d'arte' which must have caused some trouble in the orchestra pit. She sang the aria on her knees, where Scarpia had flung her. When the time came for murder, she stabbed the luckless chief of police over and over, and kicked his lifeless body.

The exaggerations of action did not make for the best singing on anyone's part. Mr. Tagliavini seemed nervous, and did not do himself justice. Only the smaller characters proceeded according to routine, unmoved by the storms at a higher level - Hugh Thompson, as Angelotti; Melchiorre Luise, as the Sacristan; Alessio de Paolis, as Spoletta ; George Cehanovsky, as Sciarrone; John Baker, as the Jailer; and Thelma Altman, as the Shepherd. Giuseppe Antonicelli was in charge of the orchestra, and Dino Yannopoulos, of the stage.

Onstage at farewell for Edward Johnson. Photograph by United Press International.



Search by season: 1949-50

Search by title: Tosca, Opera Pageant,



Met careers