[Met Performance] CID:146890



Tannh?user
Metropolitan Opera House, Fri, January 30, 1948 Matinee





Tannh?user (361)
Richard Wagner | Richard Wagner
Tannh?user
Set Svanholm

Elisabeth
Astrid Varnay

Wolfram
Alexander Sved

Venus
Blanche Thebom

Hermann
Dezs? Ernster

Walther
John Garris

Heinrich
Emery Darcy

Biterolf
Osie Hawkins

Reinmar
Philip Kinsman

Shepherd
Maxine Stellman

Dance
Marina Svetlova

Dance
Peggy Smithers

Dance
Lorraine Ammerman

Dance
Elissa Minet

Dance
Ilona Murai

Dance
Josef Carmassi

Dance
William Sarazen


Conductor
Fritz Stiedry







Review 1:

Review of Herbert F. Peyser in Musical America

The first of a series of five special matinees for students, sponsored by the Metropolitan Opera Guild, took place before an audience of some 3,400 Jan. 30. The opera was "Tannh?user" and its chief feature Set Svanholm's initial Metropolitan appearance in the title role. The impersonation brought an unwonted distinction to the performance, the fourth which Wagner's work has enjoyed this season.

Mr. Svanholm's embodiment is one which really merits close study. It has admirable elements not only with respect to bearing and well-conceived detail of action, but it is sung with a brilliant and heroic ring even if the bright timbre of the tenor's voice does not, by its very nature, lend itself altogether convincingly to trenchant expressions of poignancy (the "Zum Heil den S?ndigen zu fhhren," for instance, lacked some of that piercing "Schmerzensakzent" the composer asked in this crucial passage). Yet Mr. Svanholm's unfailing plastique and his uncommon psychological penetration were constantly manifest, and never more so than in the subtle transitions of mood in an episode like the defiant utterance of the song to Venus at the climax of the S?ngerkrieg. This was most expressively mirrored in the artist's amazing play of feature, gesture and movement. By and large, his Tannh?user occupies a high place in his list of cumulative Wagnerian achievements.

The rest of the cast was as it has been earlier this season. Mack Harrell, prevented by illness from undertaking Wolfram, was replaced in the part by Alexander Sved, who offered a routine performance. Deszo Ernster, though he had gone through the exertions of Hagen 24 hours earlier, was once more the Landgrave. Blanche Thebom's Venus, Astrid Varnay's Elisabeth, Maxine Stellman's Shepherd and the various minstrel-knights of Messrs. Garris, Kinsman, Darcy and Hawkins displayed their now customary solo or ensemble qualities. Mr. Stiedry conducted; it would have been surprising indeed if both he and the orchestra had not been somewhat fagged after their "G?tterd?mmerung" exertions of the previous day.



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