[Met Performance] CID:132140



Die Walk?re
Metropolitan Opera House, Sat, December 6, 1941 Matinee Broadcast
Broadcast Matinee Broadcast


Debut : Astrid Varnay, Mary Van Kirk




Die Walk?re (326)
Richard Wagner | Richard Wagner
Br?nnhilde
Helen Traubel

Siegmund
Lauritz Melchior

Sieglinde
Astrid Varnay [Debut]

Wotan
Friedrich Schorr

Fricka
Kerstin Thorborg

Hunding
Alexander Kipnis

Gerhilde
Thelma Votipka

Grimgerde
Mary Van Kirk [Debut]

Helmwige
Maria Van Delden

Ortlinde
Maxine Stellman

Rossweisse
Lucielle Browning

Schwertleite
Anna Kaskas

Siegrune
Helen Olheim

Waltraute
Doris Doe


Conductor
Erich Leinsdorf


Director
D?sir? Defr?re

Set Designer
Jonel Jorgulesco





Die Walk?re received four performances this season.
Helen Traubel's costume was designed by Marie Duryasz.

Review 1:

Review by Noel Strauss, The New York Times

Astrid Varnay's name was not on the program, for she essayed Sieglinde's music at short notice, Miss Varnay, still in her twenties, made an instant success all the more remarkable considering the fact that this was her first appearance on any operatic stage. The exceedingly comely Swedish-American soprano acted with a skill and grace only possible to those with an inborn talent for the theatre. In fact, Sieglinde in Miss Varnay's hands was one of the most satisfying and convincing portrayals the season has brought forth.

Vocally, Miss Varnay was best suited to the music that lies high in its tessitura. As a result she did her most significant singing in the second and third acts, where her intense and dramatically poignant treatment of every phrase matched her acting in effectiveness and allure. In the first act much of the score was too low for her voice, which had not enough body to be audible in many a passage asking power in the middle and nether tones, where, too, the sounds were not always absolutely firm.

Miss Varnay is a valuable addition to the Metropolitan roster, but her fine abilities would be employed to much better purpose in roles making less heavy demands on her voice, a voice of such innate beauty that it should not be used in parts like this, which might easily impair its quality.

Rebroadcast on Sirius Metropolitan Opera Radio

Photograph Astrid Varnay as Sieglinde by The New York Times Studio.

Photograph of Astrid Varnay backstage at her debut performance.

Photograph of Helen Traubel as Br?nnhilde by J. Abresch.



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