[Met Performance] CID:122880



Das Rheingold
Ring Cycle [62] Uncut
Metropolitan Opera House, Wed, February 9, 1938 Matinee





Das Rheingold (78)
Richard Wagner | Richard Wagner
Wotan
Friedrich Schorr

Fricka
Karin Branzell

Alberich
Adolf Vogel

Loge
Ren? Maison

Erda
Anna Kaskas

Fasolt
Ludwig Hofmann

Fafner
Emanuel List

Freia
Dorothee Manski

Froh
Paul Althouse

Donner
Julius Huehn

Mime
Karl Laufk?tter

Woglinde
Susanne Fisher

Wellgunde
Irra Petina

Flosshilde
Doris Doe


Conductor
Artur Bodanzky


Director
Leopold Sachse

Set Designer
Hans Kautsky


Ring Cycle [62] Uncut







Das Rheingold received two performances this season.

Review 1:

Review of Pitts Sanborn in the World-Telegram

"Rheingold" Presented at the Met

At the Metropolitan Opera House yesterday the matinee Wagner series got round to "Der Ring des Nibelungen" offering its initial drama, "Das Rheingold," for the first time this season. It is pleasant to know there will be a second Metropolitan performance of that work of a unique beauty the last Saturday night of the present month.

Yesterday's showing was distinguished primarily by the Fasolt of Ludwig Hofmann, the Loge of Rene Maison and the conducting of Artur Bodanzky, even though the eminent batonist was not averse to hurrying a tempo or two.

Mr. Hofmann, imposing of presence and sonorous of voice as befitted a giant, delivered his lines with remarkable clearness and eloquence. Mr. Maison, though a bit ponderous for an ideal fire god, supplied a picturesque and incisive impersonation, but I would plead for a more sensuous treatment of the great monologue, "Immer ist Undank Loges Lohn."

The veteran Wotan of Friedrich Schorr was a sadly bedraggled divinity, who had trouble whenever his music ran high. More considerate passages, however, were uttered with the old majesty. Karin Branzell revealed a Fricka, who was both stately and amorous. Dorothee Manski, Paul Althouse and Julius Huehn were respectively a Freia, a Froh and a Donner of earnest endeavor. Anna Kaskas did nothing desirable with Erda's warning.

To Emanuel List was allotted the black giant, Fafner, safely except that on the open stage he abandoned a huge ingot of his ill-gotten gold. Adolf Vogel and Karl Laufk?tter appeared as the chief dwarfs, Alberich and Mime, both uncommonly successful as vocalists, if not as punchful interpreters.

Susanne Fisher, Irra Petina and Doris Doe were an uneven trio of Rhine Daughters. Mme. Fisher, their leader, was more successful when her part ran high than in voicing Woglinde's key speech, "Nur wer der Minne Macht entsagt."



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