Guide
Key Word Search
Multi-Field Search
Browse
Met Opera on Demand
Sirius and XM
Repertory Report
Performers Report
Contacts
Met Opera Website
La Gioconda
Metropolitan Opera House, Thu, December 23, 1926
La Gioconda (91)
Amilcare Ponchielli | Arrigo Boito
- La Gioconda
- Rosa Ponselle
- Enzo
- Beniamino Gigli
- Laura
- Marion Telva
- Barnaba
- Titta Ruffo
- Alvise
- Ezio Pinza
- La Cieca
- Merle Alcock
- Singer/Zu?ne
- Vincenzo Reschiglian
- Is?po
- Giordano Paltrinieri
- Monk
- Louis D'Angelo
- Steersman
- Pompilio Malatesta
- Conductor
- Tullio Serafin
Review 1:
Review signed M. W. in the New York Herald Tribune
'La Gioconda' Draws Big Crowd to Metropolitan
Gigli, Ponselle and Titta Ruffo Sing Bewildering Opera in Fine Form
"La Gioconda," for the third time in the young season, drew large and bewildered crowds to the Metropolitan last evening. Large because Gigli, Ponselle and Titta Ruffo were singing, bewildered because it seems doubtful if Arrigo Boito or Ponchielli himself ever fully mastered the intricacies of their own plot, and the average audience stops trying before the first curtain has fallen.
La Gioconda, who does even less smiling than the usual operatic heroine, has a puzzling way of appearing and disappearing, without any clear motivation, and thereby complicating even more an affair far too complicated already. The only philosophic thing to do during the course of this prodigally long and "grand" entertainment is to take it as a perfect specimen of its type, give up all delusion of being at that theater which "holds the mirror up to nature," and peacefully enjoy, as the composer intended you should, the singers of ornamental arias and ensembles by fine singers abundantly able to do so, for instance, those in last evening's cast.
Mr. Ruffo did, to be sure, infuse some plausible drama into the dark doings of Barnaba, but to indifferent singing, and that of Miss Ponselle, never in better form, and Mr. Gigli whose apostrophe of sky and sea ended in the usual tempest of applause. Escaping from the burning ship he turned an ankle, similarly wrenched a few weeks ago, but he limped bravely through the remainder of the opera. Two physicians, called to his dressing room, however, announced that he will wear a plaster cast for Christmas.
Other worthy impersonations were Miss Telva as Laura, Miss Alcock as La Cieca, and Messrs. Pinza, Reschiglian, D'Angelo, Paltrinieri and Malatesta contributing the necessary, but thankless, smaller roles. Mr. Serafin conducted.
Search by season: 1926-27
Search by title: La Gioconda,
Met careers