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G?tterd?mmerung
Metropolitan Opera House, Thu, April 15, 1926
G?tterd?mmerung (94)
Richard Wagner | Richard Wagner
- Br?nnhilde
- Nanny Lars?n-Todsen
- Siegfried
- Rudolf Laubenthal
- Gunther
- Friedrich Schorr
- Gutrune
- Maria M?ller
- Hagen
- Michael Bohnen
- Waltraute
- Karin Branzell
- Alberich
- Gustav Sch?tzendorf
- First Norn/Flosshilde
- Marion Telva
- Second Norn
- Henriette Wakefield
- Third Norn
- Marcella R?seler
- Woglinde
- Elizabeth Kandt [Last performance]
- Wellgunde
- Phradie Wells
- Vassal
- Max Altglass
- Vassal
- Arnold Gabor
- Conductor
- Artur Bodanzky
Review 1:
Review of W. J. Henderson in the New York Sun
Wagner Opera Season Closes
Distinguished Singers Make Final Appearance in 'G?tterd?mmerung' at Metropolitan
Wagner bade farewell to the Metropolitan Opera House for the season last evening. There has been a considerable Wagnerian activity and evidence of much public interest. The work offered for the delectation of last night's audience was "G?tterd?mmerung" which has to be taken seriously if at all. Several of the distinguished principals in the cast sang for the last time. These were Miss M?ller, Mr. Laubenthal, Mr. Bohnen and Mr. Schorr.
Mme. Larsen-Todsen and Mme. Branzell completed their duties as Wagner singers, but they are to be heard in Italian opera tomorrow night. Mr. Sch?tzendorf, who was also in the cast, makes his farewell bow at the Sunday evening concert. It will be advisable for those who intend to be present at either of the performances of tomorrow to keep in mind that both will begin a quarter of an hour earlier than usual. The matinee will start at a quarter before 2 P.M. and the evening opera at a quarter before 8. The advance of time is made because the company will start for Atlanta by special train immediately after the day's work is finished.
The interpretation of the final drama of the Nibelung cycle did not differ in any essential manner from those which preceded it. The prevailing characteristic of the performance was its devotion. It would not be astonishing if at the close of a long and arduous season some of those engaged were to show sings of weariness or even want of interest in their work. But there seemed to be neither last night. If it had been the first week instead of the last one of the opera the artists could hardly have been more intent upon delivering the message of the composer.
Mme. Larsen-Todsen has won favor with the public, largely through her great earnestness, and her Br?nnhilde in "G?tterd?mmerung" is one of the roles in which she shows it most. She received special approval from the assembly of last evening. Mme. Branzell's admirable Waltraute, Mr. Laubenthal's commendable Siegfried, Mr. Schorr's excellent Gunther and Mr. Bohnen's black and sinister Hagen were also warmly applauded. Mr. Bodanzky, who conducted for the last time this season, was made the object of special demonstration.
Search by season: 1925-26
Search by title: G?tterd?mmerung,
Met careers
- Artur Bodanzky [Conductor]
- Nanny Lars?n-Todsen [Br?nnhilde]
- Rudolf Laubenthal [Siegfried]
- Friedrich Schorr [Gunther]
- Maria M?ller [Gutrune]
- Michael Bohnen [Hagen]
- Karin Branzell [Waltraute]
- Gustav Sch?tzendorf [Alberich]
- Marion Telva [First Norn/Flosshilde]
- Henriette Wakefield [Second Norn]
- Marcella R?seler [Third Norn]
- Elizabeth Kandt [Woglinde]
- Phradie Wells [Wellgunde]
- Max Altglass [Vassal]
- Arnold Gabor [Vassal]