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La Vida Breve
Le Rossignol
Metropolitan Opera House, Fri, March 19, 1926
In French
La Vida Breve (3)
Manuel De Falla | Carlos Fern?ndez Shaw
- Salud
- Lucrezia Bori
- Paco
- Armand Tokatyan
- Grandmother
- Kathleen Howard
- Sarvaor
- Louis D'Angelo
- Carmela
- Merle Alcock
- Singer
- Giovanni Martino
- Voice
- Charlotte Ryan
- Voice
- Grace Anthony
- Voice
- Angelo Bad?
- Voice
- Max Altglass
- Dance
- Florence Rudolph
- Dance
- Giuseppe Bonfiglio
- Conductor
- Tullio Serafin
Le Rossignol (3)
Igor Stravinsky | Stepan Mitusov
- Manuel
- Millo Picco
- Nightingale
- Marion Talley
- Fisherman
- Ralph Errolle
- Cook
- Ina Bourskaya
- Emperor
- Adamo Didur
- Chamberlain
- Gustav Sch?tzendorf
- Bonze
- James Wolfe
- Death
- Henriette Wakefield
- Japanese Envoy/Lantern Servant
- Max Altglass
- Japanese Envoy
- Millo Picco
- Japanese Envoy
- Giordano Paltrinieri
- Lantern Servant
- Laura Robertson
- Lantern Servant
- Mary Bonetti
- Conductor
- Tullio Serafin
Review 1:
Review signed B. L. D. in Musical America
Two Novelties Repeated
Manuel de Falla's "La Vida Breve" and Igor Stravinsky's "Le Rossignol," constituting the Metropolitan's latest double bill, were given their second performance on March 19, with Tullio Serafin conducting. A re-hearing of the Spanish work strengthens one's original impression that it is less an opera than a symphonic poem with mimetic and vocal adjuncts. The dramatic crescendo moves with so deliberate a tempo and the denouement of the tenuous plot is so clearly foreseen from the beginning that the final moment of tragedy has little emotional power.
Attention concentrated on the orchestration is rewarded by music of adroit workmanship and atmospheric charm. The melodic and rhythmic elements are consistently Iberian, strongly tinged with the Moorish idiom that is an inseparable part of folk-music in southern Spain. Rhythmic diversity and iridescence of instrumental color offset, to some extent, the monotone of the dramaturgy.
Lucrezia Bori sang again the role of Salud with unfailing beauty of tone and grace of phrasing. Armand Tokatyan, in the ungrateful position of leading tenor with little to sing or do, solved the problem agreeably. Giovanni Martino replaced Millo Picco as A Singer, while Mr. Picco substituted for Arnold Gabor as Manuel. Otherwise, the cast was the same as at the premiere, Kathleen Howard as the Grandmother, Merle Alcock as Carmela and Louis d'Angelo as Uncle Sarvaor.
Curious spectators, rising sporadically in the forepart of the house to catch a glimpse of Marion Talley in the orchestra pit, again provided a silhouetted prelude to "Le Rossignol." Miss Talley sang the roulades of the nightingale with the same fluent ease as before, while her attack of the high notes had greater surety. Ralph Errolle's delivery of the Fisherman's lines was noticeably improved in smoothness. On the stage there was no change in the cast of Adamo Didur as the Emperor, Gustav Sch?tzendorf as the Chamberlain, James Wolfe as the Bonze, Ina Bourskaya as the Cook and Henriette Wakefield as Death.
Search by season: 1925-26
Search by title: La Vida Breve, Le Rossignol,
Met careers
- Tullio Serafin [Conductor]
- Lucrezia Bori [Salud]
- Armand Tokatyan [Paco]
- Kathleen Howard [Grandmother]
- Louis D'Angelo [Sarvaor]
- Merle Alcock [Carmela]
- Millo Picco [Manuel]
- Giovanni Martino [Singer]
- Charlotte Ryan [Voice]
- Grace Anthony [Voice]
- Angelo Bad? [Voice]
- Max Altglass [Voice]
- Florence Rudolph [Dance]
- Giuseppe Bonfiglio [Dance]
- Marion Talley [Nightingale]
- Ralph Errolle [Fisherman]
- Ina Bourskaya [Cook]
- Adamo Didur [Emperor]
- Gustav Sch?tzendorf [Chamberlain]
- James Wolfe [Bonze]
- Henriette Wakefield [Death]
- Max Altglass [Japanese Envoy/Lantern Servant]
- Millo Picco [Japanese Envoy]
- Giordano Paltrinieri [Japanese Envoy]
- Laura Robertson [Lantern Servant]
- Mary Bonetti [Lantern Servant]