[Met Performance] CID:92050



Die Walk?re
Metropolitan Opera House, Wed, January 20, 1926




Die Walk?re (213)
Richard Wagner | Richard Wagner
Br?nnhilde
Nanny Lars?n-Todsen

Siegmund
Curt Taucher

Sieglinde
Florence Easton

Wotan
Clarence Whitehill

Fricka
Karin Branzell

Hunding
William Gustafson

Gerhilde
Phradie Wells

Grimgerde
Marion Telva

Helmwige
Marcella R?seler

Ortlinde
Laura Robertson

Rossweisse
Ina Bourskaya

Schwertleite
Kathleen Howard

Siegrune
Grace Anthony

Waltraute
Henriette Wakefield


Conductor
Artur Bodanzky







Review 1:

Review signed B. B. in Musical America

'Die Walk?re' Again

With an almost complete change of principals, Wagner's "Die Walk?re" was given its second performance of the season on Jan. 20. Curt Taucher remained as Siegmund, and Clarence Whitehill reappeared in his familiar guise as Wotan, substituting at the last moment for Michael Bohnen, who was still prevented by illness from making his seasonal re-entrance on the Metropolitan stage. Mr. Whitehill's impersonation had the tragic and impressive dignity that he always imparts to that r?le, and Mr. Taucher's reading was one of his best.

Florence Easton, enacting Sieglinde for the first time in two years, gave a portrayal appealing in both vocal and personal charm. Nanny Larsen-Todsen, a fervent and forceful Br?nnhilde, afforded one the satisfaction of hearing a sonorous soprano in the Valkyr cry that has been so often essayed of late by mezzo or contralto voices. Moreover, her singing was consistently firm and clear.

Karin Branzell as the incensed and imperative Fricka showed sovereign poise of presence and sang with richly colored tone. William Gustafson was a stalwart and sinister Hunding. The sorority of Valkyrs was composed of Marcella R?seler, Phradie Wells, Laura Robertson, Ina Bourskaya, Marion Telva, Henriette Wakefield, Grace Anthony and Kathleen Howard.

Artur Bodanzky conducted with an epic breadth in the heroic sections of the resplendent score, and with sedulous regard for the passages of lyric beauty.



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