[Met Performance] CID:90130



Parsifal
Metropolitan Opera House, Fri, April 10, 1925 Matinee





Parsifal (108)
Richard Wagner | Richard Wagner
Parsifal
Curt Taucher

Kundry
Nanny Lars?n-Todsen

Amfortas
Clarence Whitehill

Gurnemanz
Michael Bohnen

Klingsor
Adamo Didur

Titurel
William Gustafson

Voice/Flower Maiden
Marion Telva

First Esquire
Ellen Dalossy

Second Esquire
Louise Hunter

Third Esquire
George Meader

Fourth Esquire
Max Altglass

First Knight
Angelo Bad?

Second Knight
Carl Schlegel

Flower Maiden
Marcella R?seler

Flower Maiden
Grace Anthony

Flower Maiden
Raymonde Delaunois

Flower Maiden
Laura Robertson

Flower Maiden
Charlotte Ryan


Conductor
Artur Bodanzky







Review 1:

Review of Edward Cushing in the Brooklyn Eagle

There was a performance of "Parsifal" at the opera house yesterday afternoon before a capacity audience. Messrs. Taucher, Bohnen and Whitehill again undertook their familiar roles in Wagner's festival play, and in Mme. Larsen-Todsen the Metropolitan had a new Kundry. The Klingsor was Adamo Didur and Mr. Bodanzky conducted.

Mme. Larsen-Todsen's Kundry was an admirable achievement. There have been several seasons now in which the Kundrys of the Metropolitan were not all that one could ask. Mme. Matzenauer certainly had not the physical attributes of the perfect siren, nor did she sing the music with the desirable ease of tone production and facility of mood projection. Mme. Larsen-Todsen was most presentable in the second act. We figured, watching her, that Parsifal's steadfastness was somewhat of an act of heroism - a phase of the drama which never before had quite convinced us. Additionally, Mme. Larsen-Todsen sang the music with inner feeling and emphasis, with finer logic of tone coloring than she has displayed in any roles to date, save only her Isolde.

Praise is due Mr. Taucher for singing the long and trying role of Parsifal in spite of illness. His voice revealed no untoward strain, and if, as the rumor went, it was not he who stood silently through the later scene of the first act, the substitution of an "extra" produced no loss of illusion. Both Mr. Whitehill and Mr. Bohnen were in good voice. The Flower Maidens sang less expertly than is possible, but for this Mr. Bodanzky atoned by the quality of his orchestral reading.



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