Guide
Key Word Search
Multi-Field Search
Browse
Met Opera on Demand
Sirius and XM
Repertory Report
Performers Report
Contacts
Met Opera Website
Der Rosenkavalier
Metropolitan Opera House, Sat, December 22, 1923
Debut : Raimondo Ditello
Der Rosenkavalier (35)
Richard Strauss | Hugo von Hofmannsthal
- Octavian
- Delia Reinhardt
- Princess von Werdenberg (Marschallin)
- Florence Easton
- Baron Ochs
- Paul Bender
- Sophie
- Queena Mario
- Faninal
- Gustav Sch?tzendorf
- Annina
- Kathleen Howard
- Valzacchi
- Angelo Bad?
- Italian Singer
- Orville Harrold
- Marianne
- Marcella R?seler
- Mahomet
- Virginia Gitchell
- Princess' Major-domo
- Pietro Audisio
- Orphan
- Nannette Guilford
- Orphan
- Louise Hunter
- Orphan
- Henriette Wakefield
- Milliner
- Phradie Wells
- Animal Vendor
- Raffaele Lipparini
- Notary
- William Gustafson
- Leopold
- Giordano Paltrinieri
- Faninal's Major-domo
- Raimondo Ditello [Debut]
- Innkeeper
- George Meader
- Police Commissioner
- Carl Schlegel
- Conductor
- Artur Bodanzky
Review 1:
Review signed J. A. H. in Musical America
A Popular 'Rosenkavalier'
Strauss' delightful "Rosenkavalier" was given at the popular-priced Saturday night performance on Dec. 22, with two singers new to principal r?les. These were Delia Reinhardt, who appeared for the first time here as Octavian, and Queena Mario, who assumed the role of Sophie for the first time on any stage. Mmes. Easton, Roeseler and Howard, and Messrs. Harrold, Bender and Sch?tzendorf and Bada appeared in their accustomed roles, and the remaining parts were sung by Mmes. Alcock, Hunter, Guilford, Wells and Gitchell, and Messrs. Meader, Schlegel, Gustafson, Paltrinieri and Audisio. Mr. Bodanzky conducted.
Mme. Reinhardt's Octavian is a very delightful piece of work. Comparison with other singers who have sung the part here are inevitable, but be it said that Mme. Reinhardt's interpretation can stand such comparison. She was best in the first act, when her boyish and na?vely intense love-making was very charming. The transition from boy to man in the second act was also very convincing. Vocally Mme. Reinhardt did the best work she has done here.
Queena Mario's Sophie was a bit of perfection. There may have been some apprehension beforehand as to whether the caliber of her voice was sufficient for the part, but the duet of the presentation of the rose put any possible doubt to flight. Never before in the Metropolitan has this hideously difficult music been sung with such ease and such soaring tone. In the marvelous trio toward the end of the last act, where the interweaving of the voices and the high tessitura again present frightful difficulties, Miss Mario's clear tones dominated the scene. In the final duet, almost invariably sung off-key, the high B-naturals were absolutely true to pitch and lovely in quality. Miss Mario's acting was charming throughout and she scored every point. In fact, her performance was a complete triumph.
Search by season: 1923-24
Search by title: Der Rosenkavalier,
Met careers
- Artur Bodanzky [Conductor]
- Delia Reinhardt [Octavian]
- Florence Easton [Princess von Werdenberg (Marschallin)]
- Paul Bender [Baron Ochs]
- Queena Mario [Sophie]
- Gustav Sch?tzendorf [Faninal]
- Kathleen Howard [Annina]
- Angelo Bad? [Valzacchi]
- Orville Harrold [Italian Singer]
- Marcella R?seler [Marianne]
- Virginia Gitchell [Mahomet]
- Pietro Audisio [Princess' Major-domo]
- Nannette Guilford [Orphan]
- Louise Hunter [Orphan]
- Henriette Wakefield [Orphan]
- Phradie Wells [Milliner]
- Raffaele Lipparini [Animal Vendor]
- William Gustafson [Notary]
- Giordano Paltrinieri [Leopold]
- Raimondo Ditello [Faninal's Major-domo]
- George Meader [Innkeeper]
- Carl Schlegel [Police Commissioner]