[Met Performance] CID:85610



L'Amico Fritz
Cavalleria Rusticana
Metropolitan Opera House, Sat, December 22, 1923 Matinee





L'Amico Fritz (6)
Pietro Mascagni | P. Suardon
Fritz
Miguel Fleta

Suzel
Lucrezia Bori

Rabbi David
Giuseppe Danise

Beppe
Marion Telva

Caterina
Grace Anthony

Federico
Giordano Paltrinieri

Hanez?
Pompilio Malatesta


Conductor
Roberto Moranzoni



Cavalleria Rusticana (218)
Pietro Mascagni | Giovanni Targioni-Tozzetti, Guido Menasci
Santuzza
Rosa Ponselle

Turiddu
Mario Chamlee

Lola
Flora Perini

Alfio
Millo Picco

Mamma Lucia
Minnie Egener


Conductor
Roberto Moranzoni


Director
Armando Agnini

Set Designer
Mario Sala

Set Designer
Angelo Parravicini

Costume Designer
Maison Chiappa







Review 1:

Review signed J. A. H. in Musical America

A New Double Bill

Coupled with "Cavalleria Rusticana" for the first time, "L'Amico Fritz" was given at the Saturday matinee, the shorter work having also its first performance this season. The cast in "L'Amico Fritz" was the same that has appeared in the work since its revival last month and included Mmes. Bori, Alcock and Anthony, and Messrs. Fleta, Danise, Wolf and Paltrinieri. Mme. Bori sang and acted deliciously, and Mr. Fleta again established the fact that he is one of the most satisfactory singers that have come to us in a long while. Mr. Danise's character work was exceedingly fine and Mme. Alcock did her bit very well indeed.

The performance of "Cavalleria" was of unusual excellence. The role of Santuzza is peculiarly fitting to Miss Ponselle both vocally and histrionically and, while some of her "business" may seem a trifle overdone, her magnificent voice (which grows more beautiful with each hearing) and her exceedingly Italianate impersonation of the r?le were a real delight. Mr. Chamlee sang beautifully and also acted most convincingly. Mr. Picco's Alfio, a desperately difficult role to do anything with at all, was fine both vocally and dramatically. Mmes. Perini and Egener were satisfactory in their small parts.

Mr. Moranzoni conducted both operas and, save for his usual tendency toward slow tempi, did very well. Mr. Setti's chorus, usually so super-perfect, was a little ragged and not always quite on the key, but the Prayer was absolutely thrilling.



Search by season: 1923-24

Search by title: L'Amico Fritz, Cavalleria Rusticana,



Met careers