[Met Performance] CID:85080



Guillaume Tell [William Tell]
Metropolitan Opera House, Mon, November 12, 1923


In Italian



Guillaume Tell [William Tell] (22)
Gioachino Rossini | Jouy/Bis/Marrast
Guillaume Tell
Giuseppe Danise

Mathilde
Elisabeth Rethberg

Arnold
Giovanni Martinelli

Walter
Jos? Mardones

Gesler
Adamo Didur

Melcthal
Italo Picchi

Hedwige
Marion Telva

Jemmy
Nina Morgana

Fisherman
Max Bloch

Leuthold
Millo Picco

Rodolphe
Angelo Bad?

Dance
Florence McNally

Dance
Jessie York

Dance
Rita De Leporte

Dance
Jessie Rogge


Conductor
Gennaro Papi


Director
Samuel Thewman

Set Designer
Vittorio Rota

Costume Designer
Gretel Urban

Choreographer
August Berger





Translation by unknown
The Overture was played before Act II.
William Tell received five performances this season.

Review 1:

Review of W. J. Henderson in the Herald

Metropolitan Opens Its Second Week With 'William Tell'

Danise Has the Title Role in Performance of General Excellence.

The second week of the season at the Metropolitan Opera House began last night with one of the old operas revived last winter by Mr. Gatti-Casazza. The work was Rossini's "William Tell," which musical historians used to denominate the composer's masterpiece, possibly because it was the opera on which he bestowed the greatest amount of effort and for which he had the greatest hopes. Recent years have found public as well as commentators generally agreed that "Il Barbiere di Siviglia," written with incredible speed (probably because Donizetti said Rossini was so lazy) is the most admirable product of the pen that remained idle after the sorrowful failure of "William Tell."

But because of its good choruses and effective ensembles, as well as the opportunities offered by the role of Arnold to a tenor with a robust voice, the opera has had intermittent and sometimes brilliant reappearances. The revival of last winter at the Metropolitan was received with no small favor. It is an open secret that the impresario is a firm believer in the artistic value of the opera, and that is probably the reason why he gives it again this season.

There were several new faces in last evening's cast. Miss Rethberg sang Mathilde in place of Miss Ponselle. Mme. Nina Morgana had the role of Jemmy, Tell's son, impersonated last winter by Mme. Sundelius, and Miss Telva was Miss Perini's successor as Hedwig, Tell's wife. The men were generally the same. Mr. Danise was the William Tell, Mr. Martinelli the Arnoldo. Mr. Mardones the Walter Furst and Mr. Didur the tyrant Gessler.

The performance was one of general rather than particular excellence. Neither Mr. Danise nor Mr. Martinelli was in command of his best quality of tone, and this threw a rather heavy burden of responsibility on the women of the cast. Miss Rethberg's fine voice was heard with pleasure in the music of Matilde, and she brought to the r?le the added charm of youth and prepossessing appearance. Mme. Morgana's Jemmy was commendable, but not of great distinction. She sang well, and her slight shortcomings were in the histrionic requirements of the part. Miss Telva permitted Hedwig to lapse into comparative obscurity. The chorus sang admirably and there was good dancing by the ballet. Mr. Papi conducted, and the popular overture was played after the first act.



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