[Met Performance] CID:79020



Lohengrin
Metropolitan Opera House, Wed, November 16, 1921

Debut : Grace Anthony, Grace Bradley, Suzanne Keener


In English



Lohengrin (317)
Richard Wagner | Richard Wagner
Lohengrin
Johannes Sembach

Elsa
Florence Easton

Ortrud
Margarete Matzenauer

Telramund
Clarence Whitehill

King Heinrich
William Gustafson

Herald
Robert Leonhardt

Page
Grace Anthony [Debut]

Page
Cecil Arden

Page
Grace Bradley [Debut]

Page
Minnie Egener

Page
Suzanne Keener [Debut]

Page
Alice Miriam

Page
Myrtle Schaaf

Page
Marie Tiffany


Conductor
Artur Bodanzky


Director
Samuel Thewman

Designer
Joseph Urban





Translation by F. Corder, H. Corder, Cowdrey, Spaeth
This season Wagner's opera was given both in English and in German.

Review 1:

Review of Alfred Human in Musical America

'Lohengrin' in English

Mr. Gatti's Americanized edition of "Lohengrin" as revived last winter had its first hearing of the season on Wednesday evening with an unchanged cast. From the physical aspect the revival remains a complete triumph; Urban's revelry of colors and bold architecture are intriguing beyond words. The Wagner interests are not so faithfully served in the orchestra pit, obviously due to the uncompromising severity of the conductor.

The principal singers - the ever-reliable Florence Easton as Elsa, Mme. Matzenauer as Ortrud, Whitehill as Telramund - again achieved distinction in their roles; Miss Easton has never sung more gloriously, nor has Mme. Matzenauer ever demonstrated so thoroughly the richness and breadth of her art. Sembach had the disadvantage of a poor start. The Swan was compelled to listen to [his first] aria sung a good half tone off pitch. In the absence of prompt relief from the orchestra, the chorus followed Mr. Sembach's example.

The choral passages are trying even for a superlatively excellent ensemble like the Metropolitan's and it seemed apparent that Conductor Bodanzky could have piloted the chorus to the key by a judicious, amiable handling of his orchestra. But the leader appeared obdurate in this instance and in later episodes also seemed to withhold support when some of the principals wandered off the signature. Sembach sang much better after the first act, and Whitehill surpassed himself in his scene with Ortrud outside the castle. William Gustafson was the adequate King Henry; Leonhardt, in the Herald's garb, still insisted on his unique method of declaiming in a curt, explosive manner.

The sensible English translation falls pleasantly on the ears, when the singers are intelligible. Merit was acquired for clear enunciation by the principal singers with the exception of Lohengrin.



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