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Rom?o et Juliette
Metropolitan Opera House, Sat, January 28, 1911 Matinee
Rom?o et Juliette (110)
Charles Gounod | Jules Barbier/Michel Carr?
- Rom?o
- Dmitri Smirnoff
- Juliette
- Geraldine Farrar
- Fr?re Laurent
- L?on Rothier
- St?phano
- Rita Fornia
- Mercutio
- Dinh Gilly
- Benvolio
- Pietro Audisio
- Gertrude
- Marie Mattfeld
- Capulet
- Allen Hinckley
- Tybalt
- Angelo Bad?
- P?ris
- Vincenzo Reschiglian
- Gr?gorio
- Georges Bourgeois
- Duke of Verona
- William Hinshaw
- Conductor
- Vittorio Podesti
Review 1:
Review of Charles Henry Meltzer in the American
SMIRNOFF FRENCH MARS PRODUCTION
Geraldine Farrar?s Gauzy Costume in ?Romeo et Juliette? Seemed Audacious
Dimitri Smirnoff again sang the part of Romeo to the Juliette of Geraldine Farrar, yesterday afternoon at the Metropolitan in Gounod?s sentimental ?Romeo et Juliette,? The house, the smallest so far seen this season at a Metropolitan matinee ? seemed much more pleased with the young Russian tenor than his performance warranted. That may have been due partly in its uncritical attitude toward M. Smirnoff?s French, which was as harsh and strange as ever, and partly to the agreeable impression made by the appearance of the singer. To the eye, and also sometimes to the ear, Mr. Smirnoff was most pleasing. But no Frenchman could have pardoned him his perversions of the tongue he sang; and no one who has heard those ideal Romeos, Jean de Reszke and Saleza, could overlook his want of style and ease.
The case of Mr. Smirnoff puzzles one. Here is a young tenor with a charming voice, light and perhaps white, but badly trained. Yet in Monte Carlo where he has sung in Russian and Italian, besides French, he is a celebrity. In Paris he has been warmly welcomed, and in South America, where opera goers are not children, he is popular. Perhaps if had waited for a year or two before braving this spoilt public he would have succeeded here. If he were wise, he would release himself from his engagements, leave the stage and spend the next two years in Paris with some teacher who could help him to perfect his art. Then, I think, he might safely brave our exacting American audiences. The conducting of Mr. Podesti did little to assure a fit performance. It was dull, heavy, and amateurish.
Geraldine Farrar occasionally distressed lovers of French music by the liberties which she took with the tempi of some arias; at other times she delighted them by the daintiness of her phrasing. She was not in her best voice, and the minimalness of her draperies in the balcony scene was startling in its audacity. The chorus sang with spirit, taste and power, and Rita Fornia once more won deserved applause by her interpretation of the page?s serenade.
Search by season: 1910-11
Search by title: Rom?o et Juliette,
Met careers
- Vittorio Podesti [Conductor]
- Dmitri Smirnoff [Rom?o]
- Geraldine Farrar [Juliette]
- L?on Rothier [Fr?re Laurent]
- Rita Fornia [St?phano]
- Dinh Gilly [Mercutio]
- Pietro Audisio [Benvolio]
- Marie Mattfeld [Gertrude]
- Allen Hinckley [Capulet]
- Angelo Bad? [Tybalt]
- Vincenzo Reschiglian [P?ris]
- Georges Bourgeois [Gr?gorio]
- William Hinshaw [Duke of Verona]