[Met Performance] CID:12930



Faust
Metropolitan Opera House, Mon, April 16, 1894




Faust (69)
Charles Gounod | Jules Barbier/Michel Carr?
Faust
Jean de Reszke

Marguerite
Nellie Melba

M?phistoph?l?s
Edouard de Reszke

Valentin
Jean Lassalle

Siebel
Sofia Scalchi

Marthe
Mathilde Bauermeister

Wagner
Antonio De Vaschetti


Conductor
Luigi Mancinelli





Note: Jean Lassalle omitted Valentin's aria "Dio possente."

Review 1:

Review in The New York Times

THE SPRING OPERA SEASON.

A Fine Performance of "Faust" at the Metropolitan Opera House.

A supplementary season of two weeks of grand opera in French and Italian began last night at the Metropolitan Opera House with an admirable performance of Gounod's "Faust." The seats in the auditorium were all occupied, and most of the standing room was filled. More than that, the enthusiasm was as great as if it had been the [first] night of the Fall season. There can be no question of the great popular success of the opera under Messrs. Abbey & Gran. And when such casts as that of last night are offered, this public will always respond.

Strong as the cast was, Edouard de Reszke's magnificent performance of Mephistopheles towered far above the work of his associates, and made even Jean de Reszke's Faust look smaller than it ought to. Last night the great basso was in superb voice, and aside from the fact that he had the best part of the opera, he did the best singing. His acting, too, was never more eloquent nor full of finesse. Jean de Reszke was also in good voice, indeed, his B flat never sounded more sonorous. He sang with his unfailing grace and sentiment, and at times with much passion.

Mme. Melba was not in the very best voice last night, and her Jewel Song went without its accustomed brilliancy. It was not till she reached the "Tarda si fa," that her vocal organs became easy, and there her phrasing and voice production produced their customary effect.

M. Lassalle, too, was a little out of voice, and judiciously omitted the "Dio possente." His death scene had its familiar dramatic value. Mme. Scalchi was the Siebel, Mlle. Bauermeister the Marta, and Signor de Vaschetti the Wagner. Signor Mancinelli conducted with admirable art, and the orchestra did its work efficiently. The new organ recently built for the Opera House was heard for the first time, and proved to be a useful instrument. Its tone is good and sufficiently sonorous. This evening "Carmen" will be given, and tomorrow night "Aida."



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