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The performance of "Die Walk?re" at the Metropolitan Opera House last evening, the first of the present season, was attended by a large audience, but it was not of a most completely satisfactory character. This is not to say that it was without merit, for it was far from it. The novelty of the evening was Herr Reichmann's appearance as Wotan. In some respects his interpretation of the r?le was fine beyond criticism. His declamation was most impressive at times, and he brought out the significance of the text in places with splendid fidelity. In other places, however, he sang off the key very badly, though the music lies fairly within the register of his voice. His acting was forcible and picturesque. but it was wholly deficient in the weight, dignity, and repose which local audiences have learned to associate with this part.

Frau Lehmann's Br?nnhilde is too familiar to need comment. It is only necessary to say that it was as good as usual. Fr?ulein Wiesner was a hopelessly unsatisfactory Sieglinde, and Frau Sontag-Uhl was a most lugubrious and ineffective Fricka. Herr Perotti was by no means as good a Siegmund as he was last season. He did not repress his mannerisms as he did then, but allowed his fondness for extravagant gesticulation and facial contortion free play. Herr Behrens was an earnest but somewhat vociferous Hunding. Probably the next performance of the work will show improvement.

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